Gultch and Professor Marvel are absent in the MUNY script, as is Toto, and Dorothy returns to Kansas aboard a rocket ship, rather than a hot air balloon. Foy has provided flying effects for several revivals of The Wizard of Oz at the MUNY.

Injecting Your Vision Into THE WIZARD OF OZ With Set Design THE WIZARD OF OZ is one of the most popular productions in all of musical theatre. It is a timeless story that audiences of all ages know and love. Directors have access to four – yes, four – different scripts. This allows them to share this production in a way that meets the capabilities of their cast and best shares their vision of Dorothy and her trip to and from the magical Land of Oz. Add professional costumes, limitless lighting and set options, and WIZARD OF OZ backdrops and you have a production you truly can taper to meet your exact vision. Choosing the Best Script Older Casts The original, 1939 cinematic adaptation is the basis for the most popular versions of THE WIZARD OF OZ.

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Licensing for these adaptations is available from Tams Witmark. If you have an older cast, you will likely want to select either the MUNY or R.S.C. Version of the show. Both include all of the musical numbers made famous by the movie.

However, they differ slightly in their presentation. • The is truly geared towards being performed onstage, though it still contains the key elements and plotlines of the movie. The presentation calls for fewer special effects and the script is written to be designed and performed as a traditional stage show.

If you have a high school-aged cast this may be the script for you. • The embraces the movie and brings it to life on-stage. It requires more technical effects and is more demanding vocally for your chorus and actors. If you have a larger cast, more advanced vocalists, and a fly system available, then this is your WIZARD OF OZ. Download theme windows 7 anime hunter x hunter. Younger Casts If you have a young cast, then you still have two scripts to choose from.

• Tams Witmark’s is ideal for Directors who have middle or grade school-aged casts. This edition reduces the script to fit a one hour run time. However, it still contains critical scenes, popular musical numbers, and the feel of the film version. • Musical Theatre International licenses the. This script is part of MTI’s Theatre for Young Actors collection, which makes making it ideal for Directors with grade and middle school aged casts and crews. Do note that this version is based upon the original book, versus the movie. As such, it does not contain all of the musical numbers and exact details associated with the film.

Key Scenes to Make Your Mark Auntie Em’s Farm. With proper lighting and a fly system our Black and White Prairie Farm has a new visual tone. One of the first decisions that you will have to make is how to set the initial scenes that take place in Kansas. Directors who choose the Tams Witmark version and wish to mirror that exact presentation will want to present their opening scenes in black and white.

Use grayscale set pieces and costumes to establish the colorless world of Kansas. Combined with black and white stage backdrops, this effect is surprisingly easy to pull off. TheatreWorld’s selection of contains a variety of black and white backdrops. Our imagery to support scenes based in Kansas ranges from a full on farm to general agricultural fields. If you want a different feel, opt for color in your opening scenes. Many Directors have combined vibrant set pieces with colorful backdrops.

(Luckily, all of our black and white backdrops for WIZARD OF OZ are also available in color!) Use this combination of tones to give your show a modern update. The Haunted Forest.

Our Extremely Dark Forest backdrop suits the Haunted Forest perfectly. Dorothy and company’s trip through the Haunted Forest also allows Directors and Set Designers to put their own touch on the show. While our Creative Team has designed a drop specifically to support a traditional view of the, many directors opt to search our selection of forest backdrops in order to find the imagery that speaks to how they envision the Haunted Forest. While the “darker” designs almost always win out some Directors have opted for realistic looking forestry, and added “haunted” elements via set pieces and stage lighting. When it comes down to it the visuals are yours to control and present as you see fit. Creating the exact sets that you have in mind is a fully attainable goal. The Wicked Witch’s Castle.